What's your opinion on offering Mass in baroque vestments in a Gothic chapel?
#24
Time to bring out Rev. Father Adrian Fortescue's essay on The Vestments of the Roman Rite again! http://maternalheart.org/library/vestmen...escue.html

Rev. Adrian Fortescue, The Vestments of the Roman Rite Wrote:There are canons of beauty admitted by every artist, every person of good taste. Now, in any garment one of the first canons is that its beauty depends fundamentally not on embroidery or added ornament, but on its material, shape, and especially on folds. Large garments falling in massive folds are dignified and beautiful. Garments cut short, stiff, flat, of bad outline, are ugly. A man in massive folds of rich material looks manly, dignified, and fine. A man in tights looks ridiculous. That is one chief reason why we see the only hope for beauty of vestments in a return to the older tradition, in which they were large and fell in fine folds. In the eighteenth century a desolating wave of bad taste passed over Europe. It gave us Baroc churches, tawdry gilding, vulgarities of gaudy ornament instead of fine construction. It passed over clothes, and gave us our mean, tight modern garments. And it passed, alas! over vestments too, and gave us skimped, flat vestments of bad colour, outlined in that most impossible material, gold braid, instead of the ample, stately forms which had lasted till then. This question of vestments is not an isolated one. It is part of a general issue which runs through all ecclesiastical art and music. We do not like Baroc vestments any more than Baroc architecture or Baroc music. The reform of music came first. We still thank God for it. And there are signs of the same movement in the other arts. The same tendency that has already given us back the old full neums of plainsong, instead of the skimped, degraded forms we used to hear, now tends to a return to the older full shapes of vestments. For these curtailed shapes are not the historic ones which came down hardly modified for so many centuries. They are a quite modern example of Baroc taste. Must we, when we have expelled that deplorable period in everything else, still keep it in this one case? Nor is what I say the fad of one or two archaeologists. As far as I know, every student of historic liturgy (I name especially Mgr. Wilpert and Father Braun), and every artist and person of artistic taste, wants to restore a fuller, more ample, more ancient form of vestments. In Rome too. I am confident that the same movement which restored plainsong will go forward, is going forward, at Rome,1 and will apply these principles to other points as well. Dismiss from your minds the idea that it is a question of Roman shape or Gothic shape. That puts the whole issue in a false light. It is not a question of place, but of period of time. These modern shapes are not specially Roman; they came in at the same time nearly everywhere. And the older shape was used at Rome just as much as everywhere else. Rome is full of pictures and monuments which show that Popes wore the same large vestments as everywhere else in the West, till Baroc taste swept over Rome too. Let us be as Roman as possible always. But in artistic matters let us look to Rome's good artistic periods. It would be absurd to defend mangled plainsong and operatic music as Roman. It is just as absurd to claim the name of the ancient city for only one period of her long artistic development. Skimped chasubles, gold braid, and lace are not Roman ; they are eighteenth-century bad taste.

Curiously all the traditional societies still use fiddlebacks, even though they all read and teach Fortescue's manuals on the liturgy, I'm sure.
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Re: What's your opinion on offering Mass in baroque vestments in a Gothic chapel? - by The_Harlequin_King - 09-26-2011, 04:15 AM



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